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Quick Selection lets you paint a selection right on your image, and Refine Edge helps smooth away any ragged edges. Working in tandem, the new Quick Selection tool and Refine Edge command add a helpful new technique for making selections in images. There are many other additional excellent new features and enhancements, but three warrant special attention for the impressive contributions they make to the app's overall ease of use. Is it convenient for Camera RAW to have so much overlap with Photoshop itself, or is it just confusing? With so many options, you may well feel the "paradox of choice" and be at a loss for which corrections to make, and where, and when. I'm all for flexibility and power, but it seems to me that Camera RAW has now been expanded well beyond its initial reason for existing. Camera RAW also now contains many Photoshop features such as cloning, healing, and monochrome conversion. For starters, it now opens not only raw formatted images but also the JPEGs and TIFFs that might be found on your camera card. Unfortunately, this feature is even easier to miss in the Photoshop interface than it is in Lightroom's I hope that Adobe will promote this terrific tool and find ways to showcase it throughout the program.Īnother feature that has seen huge changes is Camera RAW. Photoshop automatically targets the correct color range and adjusts the command's Blues slider as you drag in the image. Want to brighten the sky in your image? Simply click in the sky and drag to the right to brighten it dragging left darkens it. This control is virtually identical to one found in Lightroom, even using a variation on Lightroom's "targeted adjustment" tool that I raved about in my Lightroom review. The new Black and White command allows you to customize a color image's conversion to monochrome by boosting or deemphasizing ranges of color found in the original. This feature is a real breakthrough for Photoshop you've now got image editing with almost total flexibility. And the Smart Object's layer mask lets you selectively apply filtering to discrete regions of the image. Also, you can drag the filter names up and down to experiment with the order in which they're applied-it can make a big difference. Simply double-click a filter's name to adjust the settings. If you first convert your image layer into a Smart Object, filters applied to that layer now appear listed beneath it in the Layers palette and are eternally editable. The solution to this problem takes advantage of the Smart Objects feature introduced in Photoshop CS2. Photoshop CS3 solves this problem, at last. Before, even something as basic as sharpening an image created an irreversible change to the photo if you decided a few days later that you'd over-sharpened, you were out of luck, and you'd have to go back to a copy of the original image (provided you'd saved one) and start over.
#Photoshop cs3 extendet upgrade
Once you've gotten past the interface changes, you'll quickly discover the feature that, on its own, justifies the cost of the upgrade for many users: non-destructive filtering. Currently, docks are restricted to your main display, and there are no presets for dual displays. My only reservation is that, as I also said in my review of Adobe Photoshop Lightroom, it's high time that Adobe had interface options for fully exploiting the two-monitor setups long used by graphics professionals. What I really like, however, is that hovering your cursor near the edge of the screen makes the palettes spring back into view, offering perfect "there when you need them, gone when you don't" accessibility. You can gain more precious screen real estate by pressing the Tab key to dismiss the palettes. These docks can be minimized so that only palette icons are showing. Palettes now reside in docks that run along the right side of the interface. In either of the new versions of the app, nothing is more apparent upon launching the application than its drastically overhauled interface. The program performed well on all platforms, but MacIntel users will experience the greatest leap in speed, because of the software's Universal Binary status.- Next: What's New in CS3?
#Photoshop cs3 extendet mac os x
I tested Photoshop CS3 (Extended and Standard) in Vista, in Win XP, and on Mac OS X 10.4. The Standard version of Photoshop CS3 is bundled only in the Design Standard Web Standard users get no Photoshop at all, having to rely on Fireworks CS3 instead. The Extended version is found in four of the six permutations of Creative Suite 3, those being the Design Premium, Web Premium, Production Premium, and Master Collection.
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